{"id":111,"date":"2018-08-21T06:38:53","date_gmt":"2018-08-21T06:38:53","guid":{"rendered":"http:\/\/romd.socialistmodernism.com\/?p=111"},"modified":"2019-02-09T05:42:43","modified_gmt":"2019-02-09T05:42:43","slug":"liceul-de-muzica-ion-vidu-timisoara","status":"publish","type":"post","link":"https:\/\/romd.socialistmodernism.com\/index.php\/2018\/08\/21\/liceul-de-muzica-ion-vidu-timisoara\/","title":{"rendered":"Liceul de muzic\u0103 cu sal\u0103 de concerte  (azi Liceul \u201dIon Vidu\u201d)"},"content":{"rendered":"<ul>\n<li>Construit\u0103 \u00een 1967-1969. Arhitec\u021bi: Hans Fackelmann, \u00eempreun\u0103 cu so\u021bia lui, Aurelia Fackelmann<\/li>\n<li>Built in 1967-1969. Architects: Hans Fackelmann and his wife, Aurelia Fackelmann<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p>Construc\u021bia a fost conceput\u0103 ca un ansamblu uniform compus din patru corpuri de cl\u0103dire dispuse \u00een jurul unui p\u0103trat, legate \u00eentre ele organic \u00eentr-o schem\u0103 func\u021bional\u0103 simpl\u0103. \u00cen corpul A se afl\u0103 spa\u021biile destinate \u00eenv\u0103\u021b\u0103m\u00e2ntului general, \u00een corpul B cele pentru \u00eenv\u0103\u021b\u0103m\u00e2nt muzical, Corpul C con\u021bine anexele s\u0103lii de concerte (s\u0103li pentru dirijor \u0219i solist, sala de repeti\u021bii \u0219.a.). Sala de concerte, corpul D, cu o capacitate de 350 de locuri, 75 de orchestran\u021bi \u0219i 75 de cori\u0219ti<span class=\"Apple-converted-space\">\u00a0 <\/span>formeaz\u0103 elementul cheie al compozi\u021biei. Volumul e conceput dintr-un paralelipiped \u00een interioriul c\u0103ruia suprafe\u021be plane \u0219i curbe transmit senza\u021bia unui echilibru perfect. Filozofia s\u0103lii, raportul \u00eentre cele trei dimensiuni \u0219i elementele decorative, de art\u0103 monumental\u0103, au fost adaptate la necesit\u0103\u021bile red\u0103rii fidele a sunetului.<\/p>\n<hr \/>\n<p>The edifice was designed as a uniform<span class=\"Apple-converted-space\">\u00a0 <\/span>cluster of four buildings disposed in a square, organically connected in a simple functional scheme. Building A includes general education spaces, B is for musical education, C for adjacent spaces to the concert hall (conductor and soloist cabins, rehearsal room etc). The key element of the composition is the concert hall &#8211; Building D &#8211; seating 350 spectators, 75 orchestra members and 75 choir singers. Inside the rectangular volume, plan and curb surfaces create the sensation of a perfect balance. The philosophy of the hall, the proportions of the volume and the monumental art are adapted to the requirements of the sound.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Construit\u0103 \u00een 1967-1969. Arhitec\u021bi: Hans Fackelmann, \u00eempreun\u0103 cu so\u021bia lui, Aurelia Fackelmann Built in 1967-1969. Architects: Hans Fackelmann and his wife, Aurelia Fackelmann<\/p>\n","protected":false},"author":1,"featured_media":831,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10,7],"tags":[],"class_list":["post-111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education-culture-and-sports-romania","category-romania"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/romd.socialistmodernism.com\/wp-content\/uploads\/2018\/08\/file9057.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pat5AA-1N","_links":{"self":[{"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/comments?post=111"}],"version-history":[{"count":3,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/111\/revisions"}],"predecessor-version":[{"id":1161,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/111\/revisions\/1161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/media\/831"}],"wp:attachment":[{"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/media?parent=111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/categories?post=111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/tags?post=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}