{"id":492,"date":"2018-11-01T06:17:10","date_gmt":"2018-11-01T06:17:10","guid":{"rendered":"http:\/\/romd.socialistmodernism.com\/?p=492"},"modified":"2019-02-09T06:56:16","modified_gmt":"2019-02-09T06:56:16","slug":"sala-de-festivitati-a-c-c-al-p-c-r-acum-sala-omnia","status":"publish","type":"post","link":"http:\/\/romd.socialistmodernism.com\/index.php\/2018\/11\/01\/sala-de-festivitati-a-c-c-al-p-c-r-acum-sala-omnia\/","title":{"rendered":"Sala de Festivit\u0103\u021bi a C.C. al P.C.R.  (acum Sala Omnia)"},"content":{"rendered":"<ul>\n<li>Construit\u0103 \u00een anii \u201970. Arhitect: Cezar L\u0103z\u0103rescu<\/li>\n<li>Built in the \u201970s. Architect: Cezar Lazarescu<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p>Proiectul S\u0103lii Omnia, cum se nume\u0219te acum, i-a fost \u00eencredin\u021bat arhitectului Cezar L\u0103z\u0103rescu \u0219i \u00een anii \u201970 s-a construit extinderea cl\u0103dirii Comitetului Central, un loc care s\u0103 g\u0103zduiasc\u0103 marile reuniuni de partid. Dup\u0103 1990, spa\u021biul a fost utilizat de Senatul Rom\u00e2niei \u0219i ulterior de Teatrul Na\u021bional de Operet\u0103 \u201eIon Dacian\u201d. Cea din urm\u0103 institu\u021bie a distrus o mare parte amenaj\u0103rile interioare \u0219i decora\u021biile foaierului, spa\u021biul destinat \u0219edintelor \u0219i festivit\u0103\u021bilor fiind literalmente devastat dup\u0103 ce s-a organizat o scen\u0103 pentru repeti\u021bii prin demontarea scaunelor \u0219i a meselor echipate cu tehnica de sonorizare. Acum cl\u0103direa se afl\u0103 \u00een administrarea Centrului Na\u021bional al Dansului din subordinea Ministerului Culturii. Ministerul pl\u0103nuie\u0219te s\u0103 converteasc\u0103 spa\u021biul \u00eentr-un centru cultural al dansului, s\u0103 speram cu p\u0103strarea specificului s\u0103u original.<\/p>\n<hr \/>\n<p>The Omnia Hall project was assigned to architect Cezar Lazarescu and the extension of the Central Committee was built in the \u201970s as place to accommodate the large party reunions. After 1990, the space was used by the Romanian Senate and later by \u201dIon Dacian\u201d National Musical Theatre. The latter destroyed a large part of the interior design elements and the decorations of the lobby, the festivities room being literally devastated when a rehearsal stage was set by removing the seats and the desks designed for sound equipment. Today the building is under the administration of the National Dance Center, attached to the Ministry of Culture. The Ministry plans to turn it into a Dance Cultural Center, hopefully preserving the character of the venue.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Construit\u0103 \u00een anii \u201970. Arhitect: Cezar L\u0103z\u0103rescu Built in the \u201970s. Architect: Cezar Lazarescu<\/p>\n","protected":false},"author":1,"featured_media":493,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[16,7],"tags":[],"class_list":["post-492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-administrative-buildings-and-exhibition-centers-romania","category-romania"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/romd.socialistmodernism.com\/wp-content\/uploads\/2018\/11\/file20011-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pat5AA-7W","_links":{"self":[{"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/comments?post=492"}],"version-history":[{"count":2,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/492\/revisions"}],"predecessor-version":[{"id":1285,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/posts\/492\/revisions\/1285"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/media\/493"}],"wp:attachment":[{"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/media?parent=492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/categories?post=492"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/romd.socialistmodernism.com\/index.php\/wp-json\/wp\/v2\/tags?post=492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}